"Beautifully addresses Otto's mixture of melancholy and geniality"
"Performance is vulnerable, layered and rich with texture"
"Gormley preens in a lively register, underscores the kindliness that underlies Finbar's outgoing nature"
- NY Times
"A creepy intruder hovering ..drawn with steel comic potency by Gormley"
- Seattle Times
"Played with nuance and authenticity, a subtle performance" -Stage Buddy
"Gormley's best performance to date" -TheatreScene
"A natural storyteller...Gormley is a convincing swell"
- Huffington Post
NYC early 2017